Tuesday, April 5, 2011

greek god hera and the greek heroe amphiaraus

Hera (play /ˈhɛrə/; Greek Ἥρα, Hēra, equivalently Ἥρη, Hērē, in Ionic and Homer) was the wife and one of three sisters of Zeus in the Olympian pantheon of classical Greek Mythology. Her chief function was as the goddess of women and marriage. In Roman mythology, Juno was the equivalent mythical character. The cow, and later, the peacock were sacred to her. Hera's mother was Rhea and her father, Cronus.
Portrayed as majestic and solemn, often enthroned, and crowned with the polos (a high cylindrical crown worn by several of the Great Goddesses), Hera may bear a pomegranate in her hand, emblem of fertile blood and death and a substitute for the narcotic capsule of the opium poppy.[1] A scholar of Greek mythology Walter Burkert writes in Greek Religion, "Nevertheless, there are memories of an earlier aniconic representation, as a pillar in Argos and as a plank in Samos."[2]
Hera was known for her jealous and vengeful nature, most notably against Zeus's lovers and offspring, but also against mortals who crossed her, such as Pelias. Paris offended her by choosing Aphrodite as the most beautiful goddess, earning Hera's hatred.
Name
"The name of Hera, the queen of the gods, admits a variety of mutually exclusive etymologies; one possibility is to connect it with hora (‘ωρα), season, and to interpret it as ripe for marriage." So begins the section on Hera in Walter Burkert's Greek Mythology.[3] In a note, he records other scholars' arguments "for the meaning Mistress as a feminine to Heros, Master." John Chadwick, a decipherer of Linear B, remarks ""her name may be connected with hērōs (‘ηρως) 'hero', but that is no help, since it too is etymologically obscure."[4] A.J. van Windekens,[5] offers "young cow, heifer", which is consonant with Hera's common epithet βοώπις (boôpis, cow-eyed). E-ra appears in Mycenaean Linear B tablets.

[edit] The cult of Hera

Hera may have been the first to whom the Greeks dedicated an enclosed roofed temple sanctuary, at Samos about 800 BC; it was replaced later by the Heraion, one of the largest Greek temples anywhere. (Greek altars were in front of the temples, under the open sky.) There were many temples built on this site so evidence is somewhat confusing and archaeological dates are uncertain. We know that the temple created by the Rhoecus sculptors and architects was destroyed between 570- 60 BC. This was replaced by the Polycratean temple 540-530 BC. In one of these temples we see a forest of 155 columns. There is also no evidence of tiles on this temple suggesting either the temple was never finished or that the temple was open to the sky.
Earlier sanctuaries, whose dedication to Hera is less secure, were of the Mycenaean type called "house sanctuaries".[6] Samos excavations have revealed votive offerings, many of them late 8th and 7th centuries BC, which reveal that Hera at Samos was not merely a local Greek goddess of the Aegean: the museum there contains figures of gods and suppliants and other votive offerings from Armenia, Babylon, Iran, Assyria, Egypt, testimony to the reputation which this sanctuary of Hera enjoyed and to the large influx of pilgrims. Compared to this mighty goddess, who also possessed the earliest temple at Olympia and two of the great fifth and sixth century temples of Paestum, the termagant of Homer and the myths is an "almost...comic figure" according to Burkert.[7]

The Temple of Hera at Agrigento, Magna Graecia.
Though greatest and earliest free-standing temple to Hera was the Heraion of Samos, in the Greek mainland Hera was especially worshipped as "Argive Hera" (Hera Argeia) at her sanctuary that stood between the former Mycenaean city-states of Argos and Mycenae,[8] where the festivals in her honor called Heraia were celebrated. "The three cities I love best," the ox-eyed Queen of Heaven declares (Iliad, book iv) "are Argos, Sparta and Mycenae of the broad streets." There were also temples to Hera in Olympia, Corinth, Tiryns, Perachora and the sacred island of Delos. In Magna Graecia, two Doric temples to Hera were constructed at Paestum, about 550 BC and about 450 BC. One of them, long called the Temple of Poseidon was identified in the 1950s as a second temple there of Hera.[9]
In Euboea the festival of the Great Daedala, sacred to Hera, was celebrated on a sixty-year cycle.
Hera's importance in the early archaic period is attested by the large building projects undertaken in her honor. The temples of Hera in the two main centers of her cult, the Heraion of Samos and the Heraion of Argos in the Argolid, were the very earliest monumental Greek temples constructed, in the 8th century BC.

[edit] Hera's early importance

Both Hera and Demeter had many characteristic attributes of the former Great Goddess.[10] The Minoan goddess represented in seals and other remains, whom Greeks called Potnia Thēron 'Mistress of Animals', many of whose attributes were later also absorbed by Artemis, seems to have been a mother goddess type[citation needed], for in some representations she suckles the animals that she holds. Sometimes this devolved role is as clear as a simple substitution can make it[citation needed]. According to the Homeric Hymn III to Delian Apollo, Hera detained Eileithyia to already prevent Leto from going into labor with Artemis and Apollo, since the father was Zeus. The other goddesses present at the birthing on Delos sent Iris to bring her. As she stepped upon the island, the divine birth began. In the myth of the birth of Heracles, it is Hera herself who sits at the door instead, delaying the birth of Heracles until her protégé, Eurystheus, had been born first.
The Homeric Hymn to Pythian Apollo makes the monster Typhaon the offspring of archaic Hera in her Minoan form, produced out of herself, like a monstrous version of Hephaestus, and whelped in a cave in Cilicia.[11] She gave the creature to Gaia to raise.

Roman copy of a Greek 5th century Hera of the "Barberini Hera" type, from the Museo Chiaramonti
In the Temple of Hera at Olympia, Hera's seated cult figure was older than the warrior figure of Zeus that accompanied it. Homer expressed her relationship with Zeus delicately in the Iliad, in which she declares to Zeus, "I am Cronus' eldest daughter, and am honourable not on this ground only, but also because I am your wife, and you are king of the gods."[12] Though Zeus is often called Zeus Heraios 'Zeus, (consort) of Hera', Homer's treatment of Hera is less than respectful, and in late anecdotal versions of the myths (see below) she appeared to spend most of her time plotting revenge on the nymphs seduced by her Consort, for Hera upheld all the old right rules of Hellene society and sorority.
Amphiaraus
In Greek mythology, Amphiaraus (or Amphiaraos, "doubly-cursed" or "twice Ares-like"[1]) was the son of Oecles and Hypermnestra, and husband of Eriphyle. Amphiaraus was the King of Argos along with Adrastus— the brother of Amphiaraus' wife, Eriphyle— and Iphis. Amphiaraus was a seer, and greatly honored in his time. Both Zeus and Apollo favored him, and Zeus gave him his oracular talent. In the generation before the Trojan War, Amphiaraos was one of the heroes present at the Calydonian Boar Hunt.[2]
The material of the tragic war of the Seven Against Thebes was taken up from several points-of-view by each of the three great Greek tragic poets. Eriphyle persuaded Amphiaraus to take part in the raiding venture, against his better judgment, for he knew he would die.[3] She had been persuaded by Polynices, who offered her the necklace of Harmonia, daughter of Aphrodite, once part of the bride-price of Cadmus, as a bribe for her advocacy. Amphiaraus reluctantly agreed to join the doomed undertaking, but aware of his wife's corruption, asked his sons, Alcmaeon and Amphilochus to avenge his inevitably coming death by killing her, should he not return. On the way to the battle, Amphiaraus repeatedly warned the other warriors that the expedition would fail,[4] and blamed Tydeus for starting it. He would eventually prevent Tydeus from being immortalized by Athena because of this. Despite this, he was possibly the greatest leader in the attack. During the battle, Amphiaraus killed Melanippus. In the battle, Amphiaraus sought to flee from Periclymenus, the "very famous"[5] son of Poseidon, who wanted to kill him, but Zeus threw his thunderbolt, and the earth opened to swallow Amphiaraus together with his chariot.[6] Thus chthonic hero Amphiaraus was propitiated and consulted at his sanctuary.
Marble votive relief of a chariot race, from Oropos, beginning of the 4th century BCE (Pergamonmuseum, Berlin.
Alcmaeon killed his mother when Amphiaraus died. He was pursued by the Erinyes as he fled across Greece, eventually landing the court of King Phegeus, who gave him his daughter Alphesiboea in marriage. Exhausted, Alcmaeon asked an oracle how to avoid the Erinyes and was told that he needed to stop where the sun was not shining when he killed his mother. That was the mouth of the river Achelous, which had been silted up. Achelous himself, god of that river, promised him his daughter, Callirhoe in marriage if Alcmaeon would retrieve the necklace and clothes which Eriphyle wore when she persuaded Amphiaraus to take part in the battle. Alcmaeon had given these jewels to Phegeus who had his sons kill Alcmaeon when he discovered Alcmaeon's plan.
In a sanctuary at the Amphiareion of Oropos, northwest of Attica, Amphiaraus was worshipped with a hero cult. He was considered a healing and fortune-telling god and was associated with Asclepius. The healing and fortune-telling aspect of Amphiaraus came from his ancestry: he was related to the great seer Melampus. After making a sacrifice of a few coins, or sometimes a ram, at the temple, a petitioner slept inside[7] and received a dream detailing the solution to the problem.
Etruscan tradition inherited by the Romans is doubtless the origin of a son for Amphiaraus named Catillus who escaped from the slaughter at Thebes and led an expedition to Italy, where he founded a colony where eventually appeared the city of Tibur (now Tivoli), named after his eldest son Tiburtus.

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